When you are ready to enter your artwork in local art competitions, here are nine art tips that can help make this a great experience.
Art Competition Jurors
One of the popular pastimes of entrants is trying to predict the kind of artwork a single juror will accept, based on that juror's painting style. Sometimes picking your entries in this way works and you get in, but I've also seen jurors choose an eclectic mix of styles and subjects, only some of which were like their own.
Art Tip # 1 - My advice is just enter your best work - art that shows skillful use of your painting medium, a well-designed mixture and an image that shows creativity. These are three foremost criteria of most jurors.
When you enter your best artwork, you are showing your strengths. After that, it is up to the juror and his or her viewpoint. And you'll just have to accept the vagaries of the judging process. As a more ultimate example of what can happen, I once had the same juror for two distinct shows. I entered the same painting in both art competitions and the juror rejected it from the first show and gave it an award in the later one. A nationally known artist told me a similar story about a painting of his. It was rejected from one national show and won Best of Show in another. I'm pretty sure he didn't have my juror.
Photographing Your Art
Art Tip # 2 - The second most foremost factor you control, after painting a great piece of art, is taking a good photo of it. This is what the juror sees to judge your art; it needs to record you well.
The photo should, of course, be in focus and show colors that intimately match your art, so become proficient at shooting your own work or find a professional to do it.
What people who take pictures of their own art may not comprehend is the lighting conditions influence the color of your picture. Just like the old film cameras, shooting pictures with a digital camera using incandescent light bulbs will turn your photo more orange. Using fluorescent lights can turn the pictures greenish. Shooting exterior when the sky is overcast can create a bluish tint, so look at your pictures intimately before entering them.
A lot of people make the mistake of leaving their digital camera set on Automatic. To get the color in your photo to match your artwork, you need to understand how to set the White Balance. Every time you shoot under distinct lighting conditions you should reset the White Balance. Check your by hand for how to do this on your camera.
Another award and entry killer is not submitting your entry in the required format with the required information. All the time read the art contest prospectus. It's breathtaking how many people don't succeed instructions, which right away converts their entry fee into a donation.
Art Tip # 3 - Film is going away, so my advice is to become well-known with how to put in order and send digital pictures.
Art competitions that require digital entries often want your pictures to be formatted in a exact way. The prospectus will often say your entry should have a black background and be X estimate of pixels square. If you don't want to buy software (like Photoshop or Photoshop Elements) that will help you do that, there are free internet sites you can also use to format your pictures.
Framing your art
Okay, you've been acceptable into an art competition. There is someone else foremost decision to make. How well are you going to frame your work?
Art Tip # 4 - Often, the juror doesn't pick the award-winning art until he or she can see the actual work. Your whole presentation affects that decision.
Matting and framing your art well are very foremost for two reasons.
Reason 1: If you have a nice piece of art surrounded by a cheap-looking frame or a frame that's scratched or dented, you've just reduced the award-worthiness of your work in the eyes of the juror.
If you also have your art surrounded by gaudy or inappropriately colored mats, you've lowered your chances of an award even further. It's best to be conservative. Use white or off-white mats.
Reason 2: If an art buyer likes your art and would consider purchasing it, he or she often wants to be able to take it home and immediately hang it on their wall. If she feels she needs to spend more money to re-frame your art more appropriately, she is likely to decide it isn't worth the wait, the cost, or the hassle.
Art Tip # 5 - My advice is to frame your work as well as your budget will allow. If your work doesn't sell, you can All the time reuse the frame for other art in other shows...but take into observation Tip # 6.
Art Tip # 6 - Ask yourself: How experienced are the people hanging the show?
Let me explain. At one time I used to enter some of the smaller local art shows. The question that changed my mind about this was I had so many frames scratched and ruined because they were badly handled. I use nice frames for my art - not the indubitably high-end ones, but not the cheap ones either. In the smaller shows, what happened at times was the art was stored with the back of one piece of art leaning against the front of another. When that is done the screws on the back of one frame can indubitably scratch the frame or artwork behind it.
Small art shows and small organizations may have volunteers who have itsybitsy or no palpate handling art. In these small shows especially, you have to make a judgment call as to how expensively to frame your work.
I am much more trusting if the show venue is a professional gallery, since they have palpate handling and hanging art.
Glass for Your Frame
If you create art that needs to be framed under glass, you've got someone else decision to make. Do you use regular glass or the more expensive, non-reflective glass?
Art Tip # 7 - Use the best glass you can afford.
As high-priced as it is, let me illustrate why I'm a strong proponent of non-reflective glass. Some years ago I was acceptable into an art competition at a gallery. Normally, galleries have track lighting that can be positioned to sacrifice reflections.
Unfortunately, my art (under regular glass) was hung on a wall facing the front windows. When the sun was shining on the street outside, the scene exterior was all you could see reflected in my glass. This is a very efficient way to guarantee you get neither a sale nor an award.
But, being a slow learner, I continued using regular glass until a weekend a few years later. I had registered to display my art in an art fair. Now in an art fair, the artist pays for space to set up his canopy or tent to show and hopefully sell his work.
Tents for this use are approximately All the time white, as was mine. The white walls of my rented tent set up a reflective situation that the lights I was using could not overcome.
Standing in front of some of the art was approximately like standing in front of a mirror. Again, the only way to indubitably see the art was to stand off to the side. I had one sale that weekend.
I may be a slow learner, but ultimately the chapter does sink in. Since that disastrous weekend I have used nothing but non-reflective glass. It is approximately as high-priced as gold, but it works very well and eliminates a very foremost headache.
Shipping your art
You might decide at some point to enter an art contest in someone else area, where you will need to ship your art.
Art Tip # 8 - Total all your costs before you enter a competition, because the costs add up quickly.
First, you need to buy a sturdy box to ship your painting. Air Float Systems (www.airfloatsys.com) carry boxes made especially for shipping art. The boxes are very sturdy, but they are not cheap. Or, you can build something similar to the Air Float boxes by purchasing a mirror box (available at U Haul and other packing stores) and some foam.
Second, the art group organizing the show will prescription a local shipping agent to receive your entry. The agent will unpack your art, deliver it to the show venue, pick it up after the show, repack it in your box and ship it back to you. The fee for this may be several hundred dollars in addition to the charge of your box and your former shipping costs.
Art Tip # 9 - Never enter more pieces of art than you are ready to deliver.
If you call the art show organizer and try to weasel out of shipping one or more of your pieces that got accepted, you are not going to get a sympathetic ear. Or, if you just don't deliver all of the art that was accepted, you could, depending on the rules of that art competition, be banned from entering for several years.
So remember: Do your planning well ahead and succeed these tips you are much more likely to have a rewarding palpate when entering art competitions.
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